Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Tuesday, 18 August 2026

At The Risk of Feeling Dumb A Poem - Z.E. McEvoy

At The Risk of Feeling Dumb
Z.E. McEvoy
Grade 10 English Spoken Word Final 2026

At The Risk of Feeling Dumb A Poem - Z.E. McEvoy

Twenty One Pilots has always been my favourite band
They have songs with good messages but fun beats on top 
And they create a form of art that people can genuinely connect with:

At the risk of feeling dumb is simply a song I love 
But is that really all to it 
At the risk of feeling dumb 
Check in
It's not worth the risk of losing a friend

Some people might look over these lines 
As they are simply enjoying themselves in music with a fun beat over it 
Music is music and lyrics mean nothing
But to the person who wrote it, 
They mean everything 

This song is not about having fun all the time
This song is about a genuine issue 
Just because someone looks okay does not mean they are
And just because someone says they don’t want help does not mean they don’t need it
Check in.

That’s the whole message 
To you, a song could be talking about anyone
But this one's not
It's about real people who struggle with real things 
Weather you have a good upbringing or not
Once you reach your teenage years
You struggle 
In one way or another 
Coming of age involves dealing with things you haven’t before
And for some teens
It becomes too much

And then there's this choice 
Stay or don’t 
I know it seems simple to us to stay 
But to other humans 
It’s not 

That does not make them worth less
Or bad 
It makes them human 
Just like everyone around them 
So check in. 
That's the whole  point 
You never know what someone might be facing behind the smile they put on until you ask 
Until you genuinely ask

So do it
Take the bold step 
Be awkward
reach out
And 
Check in. 

Just like you’d hope someone would for you if you were standing in their shoes 
Wouldn't you want someone to be there for you to tell you you are human even though you are facing these struggles 
To tell you you matter and that staying is better than going 

With all that being said,
At the risk of feeling dumb
Just check in

Note: My daughter wrote this for a school assignment in June of 2026, it was a second piece as she was not fully satisfied with the first, Hurry Up!. It is posted here with permission. 


At The Risk of Feeling Dumb A Poem - Z.E. McEvoy - Bandages

Wednesday, 5 August 2026

The Sonnets - William Shakespeare - Pelican Classics Edition

The Sonnets
William Shakespeare
John Hollander (Introduction)
Stephen Orgel (Editor)
ISBN 9780143131717
eISBN 9781524705589
ASIN B06XVWT34D

The Sonnets - William Shakespeare - Pelican Classics Edition

Six years back I started reading Shakespeare again, as my children were being introduced to it in High school. Then four years ago my son who is now 18 found he had a love for the Bard and for his plays, much as I did at that age. We had been sticking to the Oxford School Shakespeare editions as those were the versions they were reading in school, but my son decided to collect these Pelican editions because they are all available as individual volumes. We loved that the Pelican has the complete works of Shakespeare in individual volumes, and we have been picking those up to read, he gets the physical and I grab the eBooks. I loved that there are eBooks for all volumes in this series, because of a dual form of dyslexia. This year we picked up tickets for three Shakespeare plays at The Stratford Festival, we did three of the Bards plays each of the last few years well. So I decided it was time to reread the Sonnets.

The Pelican Classics were among my favourite editions of the plays when I was a youth myself. I often hunted used bookstores for the hard cover edition. I think the last time I read this would have been about 35-40 years ago. The description of this edition states:

“Together with A Lover's Complaint' and little-known alternative versions of four of the sonnets. Edited with an introduction by Stanley Wells. ...the most beautifully printed text available.'”

The back of the physical edition states:

“Each sonnet is presented with guidance to assist the reader to make his or her own personal response. Help is given with imagery and other features of language, and the editor has included a wide range of classroom-tested activities for individual and group work. This edition aims to give students access to the multiple meanings and responses which each sonnet can evoke, and so discover Shakespeare's delight in language and exploration of personal feeling.”

About the editors and contributors we are informed:

“A. R. Braunmuller is Distinguished Professor of English and Comparative Literature at the University of California at Los Angeles. He has written critical volumes on George Peele and George Chapman and has edited plays in both the Oxford (King John) and Cambridge (Macbeth) series of Shakespeare editions. He is also general editor of The New Cambridge Shakespeare.” 

And  

“Stephen Orgel is the Jackson Eli Reynolds Professor of the Humanities at Stanford University and general editor of the Cambridge Studies in Renaissance Literature and Culture. His books include Imagining Shakespeare, The Authentic Shakespeare, Impersonations: The Performance of Gender in Shakespeare’s England and The Illusion of Power.”

The section in this volume are:

Publisher’s Note
Shakespeare: The Life and the Texts
William Shakespeare of Stratford-Upon-Avon, Gentleman
The Question of Authorship
The Texts of Shakespeare
Introduction
Note on the Text
The Sonnets
Index of First Lines to the Sonnets

The publishers note states:

“THE PELICAN SHAKESPEARE has served generations of readers as an authoritative series of texts and scholarship since the first volume appeared under the general editorship of Alfred Harbage over half a century ago. In the past decades, new editions followed to reflect the profound changes textual and critical studies of Shakespeare have undergone. The texts of the plays and poems were thoroughly revised in accordance with leading scholarship, and in some cases were entirely reedited. New introductions and notes were provided in all the volumes. The Pelican Shakespeare was designed as a successor to the original series; the previous editions had been taken into account, and the advice of the previous editors was solicited where it was feasible to do so. The current editions include updated bibliographic references to recent scholarship.

Certain textual features of the new Pelican Shakespeare should be particularly noted. All lines are numbered that contain a word, phrase, or allusion explained in the glossarial hyperlinked notes; click on the line number to reveal the note. In addition, for convenience, every tenth line is also numbered, in italics when no annotation is indicated.”

And the introduction begins with:

“IN THE WINTER of 1609 a seventeen-year-old Cambridge undergraduate sent two sonnets to his mother as a New Year’s gift. They were addressed to God. The first one asked “doth poetry / Wear Venus’ livery, only serve her turn? / Why are not sonnets made of thee? and lays / Upon thine altar burnt?” The second one, answering it, expressed the resolve of the young poet (it was George Herbert) to retune his poetic instrument to a sacred mode. That year was not a particularly fashionable one for sonnets. The vogue of sonnet sequences written in the wake of Sir Philip Sidney’s remarkable Astrophil and Stella, written in the earlier 1580s but first published posthumously in 1591, was already a thing of the past. But 1609 also saw the publication of the sonnets of William Shakespeare, a most problematic book containing some of the greatest short lyric poems in our language. Herbert might have been sympathetic to the concerns of only one of the whole collection, “Poor soul, the center of my sinful earth,” Sonnet 146, with its closing paradox (“And Death once dead, there’s no more dying then”), similar to that at the end of John Donne’s Holy Sonnet “Death be not proud” (“Death, thou shalt die”). But even in Shakespeare’s poem the speaker never appeals to God for assistance or counsel, and addresses the appeal to his own soul – the poem is charged with autonomy, in the way in which it speaks for a mind with cognitive power over both the soul and the body of the person it shares with them.”

Later we are informed:

“The most haunting problem has been, at least from the eighteenth century on, the matter of fact and fiction in these sonnets. The relation of these two terms is, for literature, itself problematic. In poetry, can a fiction be “true to” fact without literally reporting it? Of how much fact and how much fiction are complex fictions composed? And how much might Shakespeare have wanted to do with all levels and sorts of lyric conventions in these poems what he does with dramatic conventions in the plays (as perhaps Chaucer does with late medieval narrative conventions in the Tales)? From Petrarch’s Laura on, sonnet Ladies had been enigmatically compounded, and writers can easily set up what Dante called in La Vita Nuova “schermo della veritade” – a screen for the truth – by doing just the opposite of what a literal-minded person might think: protecting a private muse dwelling in the spaces of one’s imagination by putting it out that she is merely a coded version of one’s Mistress.”

The introduction concludes with:

“But in the end it is not that we are put off by all these enigmas, made impatient by how much about these poems will seem ever to be left up for grabs. It is rather that there is so very much poetic stuff there. The question that opens the great Sonnet 53 – “What is your substance, whereof are you made, / That millions of strange shadows on you tend?” – is asked of the Young Man: what is it in him that attracts so many representations, images, fictions of and about him? But we may ask it as well, with respect to the myriads of kinds and instances of interpretation that hang about it, keep crowding toward it, of the book called Shake-speares Sonnets. Answering for ourselves that we can never know the substance is only an easy and vulgar pseudo-pragmatic escape if it causes us to abandon rereading and rethinking the vast question as well as the minute particulars of this remarkable poetry. A genuinely Keatsian negative capability does not stultify, but rather prevents intellectual paralysis.

In 1630 the young John Milton, having bought a copy of the Italian poet Giovanni della Casa’s sonnets the year before, and having perhaps experimented with writing sonnets in Italian, in that revisionary mode composed his first sonnet to the nightingale in an appropriately Italian convention. It asked whether the song of the bird was a call to love or to poetry for the young virginal poet hearing it, as if heralding one or another of two modes of life that the Petrarchan sonnet tradition had brought metaphorically together. Perhaps he lacked sufficient experience, as well as temperament, to have learned that between Love and Poetry there is no either/or relation, but rather one, which Shakespeare’s sonnets explore, of mutual and living begetting.”

A few sample sonnets from this edition are:

7
Lo, in the orient when the gracious light
Lifts up his burning head, each under eye
Doth homage to his new-appearing sight,
Serving with looks his sacred majesty;
And having climbed the steep-up heavenly hill,
Resembling strong youth in his middle age,
Yet mortal looks adore his beauty still,
Attending on his golden pilgrimage;
But when from highmost pitch, with weary car,
Like feeble age he reeleth from the day,
The eyes, ’fore duteous, now converted are
From his low tract and look another way:
So thou, thyself outgoing in thy noon,
Unlooked on diest unless thou get a son.

     13
     O, that you were your self, but, love, you are
     No longer yours than you yourself here live:
     Against this coming end you should prepare,
     And your sweet semblance to some other give.
     So should that beauty which you hold in lease
     Find no determination; then you were
     Your self again after yourself’s decease
     When your sweet issue your sweet form should bear.
     Who lets so fair a house fall to decay,
     Which husbandry in honor might uphold
     Against the stormy gusts of winter’s day
     And barren rage of death’s eternal cold?
     O, none but unthrifts, dear my love, you know,
     You had a father – let your son say so.

24
Mine eye hath played the painter and hath steeled
Thy beauty’s form in table of my heart;
My body is the frame wherein ’tis held,
And perspective it is best painter’s art.
For through the painter must you see his skill
To find where your true image pictured lies,
Which in my bosom’s shop is hanging still,
That hath his windows glazèd with thine eyes.
Now see what good turns eyes for eyes have done:
Mine eyes have drawn thy shape, and thine for me
Are windows to my breast, wherethrough the sun
Delights to peep, to gaze therein on thee.
Yet eyes this cunning want to grace their art;
They draw but what they see, know not the heart.

     56
     Sweet love, renew thy force; be it not said
     Thy edge should blunter be than appetite,
     Which but today by feeding is allayed,
     Tomorrow sharpened in his former might.
     So, love, be thou: although today thou fill
     Thy hungry eyes even till they wink with fullness,
     Tomorrow see again, and do not kill
     The spirit of love with a perpetual dullness.
     Let this sad interim like the ocean be
     Which parts the shore where two contracted new
     Come daily to the banks, that, when they see
     Return of love, more blessed may be the view;
     As call it winter, which, being full of care,
     Makes summer’s welcome thrice more wished, more rare.

My son(18) and I have been reading the Pelican Classics editions of Shakespeare’s plays for a few years now. Typically we read the plays we plan on seeing that season at the Stratford Festival. This year I picked up this volume because it had been several years since I had read through the sonnets. This is an excellent reading edition, even as an eBook. Each Sonnet is presented on a separate page. The note numbers are on the far right. And the ends are endnotes in the volume. Thus making it a wonderful edition to read. I picked the book up and read for or 5 a day on a number of weeks. It was a great way to end the day over a final cup of tea.  

I loved the Pelican Classic Edition when I was a teen myself. I have started collecting the eBook versions now. If you are looking for a good copy of the sonnets to read or study I can easily recommend this edition.

Other Posts Related to Shakespeare:

Reviews of Stratford Shakespeare Productions:
The Tempest - Stratford Festival 2019 
Richard III – 2022
Hamlet – 2022
King Lear – 2023
Cymbeline – 2024

Reviews of Shakespeare Movies:
Cymbeline – 2014

Books by Ted Neill:
Post Apocalyptic Space Shakespeare Series:
Twelfth Night
As You Like It
A Mid Summers’s Night Dream

Shakespearean Shorts from Pettyfeather Publishing:

Guy Hale's Shakespeare Murders Series:
3. Put Out the Light 
4. Sleep No More  


All Pelican Shakespeare Individual Titles



Tuesday, 4 August 2026

Hurry Up! A Poem - Z.E. McEvoy

Hurry Up!
Z.E. McEvoy
Grade 10 English Spoken Word Final 2026

Hurry Up! A Poem - Z.E. McEvoy

At first, when you are young
Growing up is about making friends for life on your first day of kindergarten 
Learning how to write and paint
And you're always excited for what adventures come next

Then you are in grades one to three
You become eager about school,
You are doing science experiments, playing dodgeball in gym and spending every day with your friends

And before you know it you've hit your junior years
School gets a bit more complicated, teachers start treating you more seriously and you can’t wait to be an intermediate

And then you are one 
You are living your best life
School can still be fun
You have some more freedom 
And you can’t wait until you get to head off to highschool 

Grade nine is a breeze
You get classes with old and new friends 
You figure out some teachers are actually fun to be around 

High school starts to get more serious and everything changes
Your grades are more important than ever 
You are worried about university and finding a job 

And there is this realization 
That you didn’t live a childhood,
You lived hopes

You skipped over the joys of running around in a kindergarten pen because you were focussed on getting out on the big field 
You skipped the joys of only playing games with a parachute in gym class because you were focussed on finding your sport
The joys of having a birthday party with your entire class when everyone was friends with everyone before everything got more complicated
The joys of not worrying about what comes next

Because 
Someday the hopes become worries 
And the worries consume all of you until you get overwhelmed by them all
You grow up wanting to be a grown up,
But the second you actually get close to it you want to turn back the clock
Relive all of it but being present 
Not focussed on the future, but enjoying the now

Growing up is about growing up 
Until you are a grown up 
Then Growing up turns into finding ways to bring back the little kid in yourself 
You start to hang out with friends in person again
You go on adventures to new places all around the world
You heal the parts of yourself you broke by looking ahead in life 
And just enjoy being where you are, when you are 

Note: My daughter wrote this for a school assignment in June of 2026, though she came up with a different piece she used instead I really like it. It is posted here with permission. 



Tuesday, 21 July 2026

Staplers A Poem by Z.E. McEvoy

Staplers
Z.E. McEvoy
Soliloquy for Grade 10 Media Arts 2026

Staplers A Poem by Z.E. McEvoy

They are made to hold things together but the second one wants to use it to hold themselves together its considered “a safety risk”
I’m not saying I want to staple myself up but I wish there was something like a stapler for people
One that could bind back the cuts in our minds
Or hold together all the thoughts to each other
But no,
There's not
So I sit here today
Talking to myself 
Holding this plain old paper stapler that could be so much more if it wanted to be
Of course, that would be crazy
Why would the world make something to fix everything that they’ve broken
Everyone. Not things
We are not objects 
People don’t “belong” to another person or thing
Except 
we all do 
we belong to the world
To the things that hold us back
To the things we won’t let ourselves let go of 
To our dreams and fears 
That’s what we belong to
So I guess, 
If you think about it
We are like this stapler 
Just an object sitting 
Waiting to be used for it’s right task
Hoping the right person comes along
To use us in the right way 
Treat us with kindness
Protect who we are
What we are
We spend so much of our lives helping others and losing ourselves 
So I guess, 
If you really think about it 
We are like this stapler
Mending the cuts of others minds while letting our open up wider and wider
So I guess,
If you really really think about it 
We are all just like this stapler 
Organizing other people's thoughts and sticking them together 
So that maybe they can have peace of mind
While we let our thoughts keep spiralling 
Down 
And 


Down 
And 

D
O
W

But! 
Maybe that means my wish has been made true
If we are all staplers for each other
Than maybe there something to bind back the cuts in my mind
And hold my thoughts together 
I just need to find the right 
“Stapler”

Note: My daughter wrote this for a school assignment and I really like it. It is posted here with permission. 

Other posts by Z.E. McEvoy:


Friday, 13 March 2026

A Christmas Garland an Anthology of Verse - Edited by John Irvine as J. Pennington Irvine

A Christmas Garland an Anthology of Verse 
An Anthology of Irish Poetry Past and Present
John Irvine - Editor (1903-1965)
as J. Pennington Irvine 
Thortnton
Belfast
1929

A Christmas Garland an Anthology of Verse - Edited by John Irvine as J. Pennington Irvine

I stumbled upon this author. I was reading one of the Vision Books for young readers, Irish Saints by Robert T. Reilly, and there was an excerpt of a poem from A Treasury of Irish Saints A Book of Poems. It was really intriguing and after reading that first volume I made it a mission to try and track down everything Irvine published. At first my dyslexia had me thinking it was John Irving, and I have read a few of his fiction books. But some quick searching put that idea to rest.  This author John Irvine lived from 1903-1965. This volume was originally published in1941. 

I am thankful to the National Library of Ireland and their scanning service. Without which I would have read but one volume from this excellent Irish poet. I appreciate that they will scan out of print and out of copyright works. Especially when I cannot find them almost anywhere else, like most of the works or Irvine. This volume will mark the thirteenth I have read by Irvine. This is the earlies volume I have found published by Irvine, and it was published under the name J. Pennington Irvine. I have not found any others published under that name. 

About the author on a site with information about Irish authors states:

“John Irvine was born in Belfast and published several collections of poems: A Voice in the Dark, 1932; Willow Leaves: Lyrics in the Manner of the Early Chinese Poets,1941; Lost Sanctuary and other poems among others. He edited The Flowering Branch: An Anthology of Irish Poetry Past and Present.”

Another online description of the author states:

“Irvine, born in Belfast, published about six collections of lyrics between 1932 and 1954, mostly from small presses in Belfast and Dublin.  He also edited an anthology of Irish poetry, The Flowering Branch.”

This volume begins with a quote from Irvine:

“He that seeks beauty will surely
find it, but he that is content
with the dross will never rise
above it.”

This book has a long acknowledgements section at the beginning, thanking authors, publishers, and speaking to 2 he could not confirm rights for after many attempts. 

The forward states:

“Within this little volume will be found a collection of seasonable poems which have been chosen not for their religious appeal more than their poetic beauty.. My great difficulty has been in selecting a sufficient number of the less widely known pieces appropriate to the season.

I have endeavoured to be as comprehensive as possible, including suitable poems from the earliest times until the present day.

The fruits of my gathering will be found in the following pages, and I trust that my readers will find them acceptable.”

The poems and contributors in this volume are:

Mary’s Song to Jesus - Padrir: Gregory
The Birds - Hilaire Belloc
New Year's Eve, 1913 - Gordon Bottomley
Old English Carol - Traditional
The Little Lord Jesus - Martin Luther
Christmas - E. Hilton Young
A Child of the Snows - G, K. Chesterton
The Holy Tide - Frederick Tennyson
Christmas Sonnet - J. Pennington Irvine
Children's Song of the Nativity - English Traditional
A Child's Carol - J. Pennington Irvine
The Crown of Roses - (Russian) Plechtcheev. Tr.G.D.
To A Snowflake - Francis Thompson 
Hoc Die Dominus Noster Nascitur - Padric Gregory
That Holy Thing - George MacDonald
Christmas Rede - Jane Barlow
The Lowly One - W. Earle
Silent Night - Joseph Mohr
Lines from "In Memoriam" - Lord Alfred Tennyson
The Oxen - Thomas Hardy
Hymn to the Nativity - Richard Crashaw
The Mistletoe Bough - Rev. T. G. Crippen
Fragment - Shakespeare
The House of Christmas - G. K. Chesterton
The Star of Bethlehem - Author Unknown
Noel: Christmas Eve, 1913 - Robert Bridges
The Lonely Child – Ruckert (From the German)

The 27 poems vary greatly in length. This is the second volume I have read that was edited by John Irvine. I have read 13 volumes that were written by Irvine, and believe that there are another 5 volumes edited by Irvine, including this earliest written or edited by him published under the name J. Pennington Irvine.

A few sample poems from this volume are:

     Christmas

     A boy was born at Bethlehem
          that knew the haunts of Galilee.
     He wandered on Mount Lebanon,
          and learned to love each forest tree.

     But I was born at Marlborough,
          and love the hom~ly faces there;
     and for all other men besides
          'tis little love I have to spare.

     I should not mind to die for them,
          my own dear downs, my comrades true.
     But that great heart of Bethlehem,
          He died for men He never knew.

     And yet, I think, at Golgotha,
          as Jesus' eyes were closed in death,
     they saw with love most passionate
          the village street at Nazareth.
               -E. Hilton Young.

Christmas Sonnet

They cast Thy mother forth into the night,
     Into the bitter night and frosty air:
Nor was there one took pity on her plight
     To bid her rest, in warmth, and shelter there.
They cast her forth, with tired and aching feet;
     And to that lowly stable place she fled,
.Yet uncomplaining, found it strangely sweet
     Upon the hay, to rest her weary head.
In this poor humble place Thou had'st Thy birth'.!
     Outcast and homeless in an ox's stall!
'Twas there Thine eyes beheld the light of earth;
     Rejected Thou by men, Oh ! Lord of all
Cast us not forth when we, with dying eyes,
     Behold Thee at the gates of Paradise.
          -J. Pennington Irvine.

          A Child's Carol

          In a rude and Jowly manger
               Sheltered from the frost and snow,
          Lay the Holy Infant Jesus
               On a morning long ago.

          Whilst around the humble dwelling
               Cold and wintry winds did sigh,
          Mary soothed the Babe so helpless,
               Sang a tender lullaby.

          Angel voices from the Heavens
               On that happy Christmas morn,
          Sang, and all the earth was joyful
               When the Saviour Christ was born.
                    -J. Pennington Irvine.

The Lowly One

Only a manger cold and bare, 
     When winter winds did blow;
Yet Christ the Lord was housed there
     Amid the winter snow.

No royal pomp did Him proclaim;
     But cradled in the hay,
Where only ox and ass had lain,
     The sleeping Infant lay.

No courtiers did his praises sing;
     But Seraphs from the skies
Poured forth their welcome to the King,
     With songs of Paradise.

He came the King of Kings to be;
     And Mary in the manger bore
A Child who reigns o'er earth and sea,
     Till time shall be no more.
-W. Earle.

     The Oxen

     Christmas Eve, and twelve of the clock,
          "Now they are all on their knees,"
     An elder said as we sat in a flock
          By the embers in hearthside ease.

     We pictured the meek:, mild creatures where
          They dwelt in their strawy pen,
     Nor did it occur to one of us there
          To doubt they were kneeling then.

     So fair a fancy few would weave
          In these years! Yet, I feel,
     If some one said on Christmas Eve,
          "Come ; see the oxen kneel."

     "In the lonely barton by yonder coomb
          Our childhood used to know,''
     I should go with him in the gloom,
          Hoping it might be so.
               -Thomas Hardy.

I hope those poems give you a feel for the collection of 27. This is an interesting collection. This volume ends with another quote from Irvine:

“L'Envoi.
Dying now the fir elight glow,
And flickering the candle's light ,
All things are fast asleep, and so,
Kind readers one and all-Goodnight.”

I did enjoy this volume. The National Library of Ireland provided a scanned copy as the book is out of print and out of copyright. It is interesting to see what poems Irvine collected, and having read much of his lately, a few could have been by his pen. I only recognize a few of the contributors. And as such was pleasantly surprised by many of the poems. We are not given bios of the contributors, nor even when the pieces were first published. I would have appreciated those details. It is a volume I know I will return to again, likely next Advent.

Note: This book is part of a series of reviews: 2026 Catholic Reading Plan

Books by John Irvine:

Saturday, 7 March 2026

The Flowering Branch: An Anthology of Irish Poetry Past and Present - Edited by John Irvine

The Flowering Branch:
An Anthology of Irish Poetry Past and Present
John Irvine - Editor (1903-1965)
Derrick MacCord
Belfast
1945

The Flowering Branch: An Anthology of Irish Poetry Past and Present - Edited by John Irvine

First I am thankful to the National Library of Ireland and their scanning service. Without which I would have read but one volume from this excellent Irish poet. I appreciate that they will scan out of print and out of copyright works. Especially when I cannot find them almost anywhere else, like most of the works or Irvine. This volume will mark the thirteenth I have read by Irvine.

I stumbled upon this author. I was reading one of the Vision Books for young readers, Irish Saints by Robert T. Reilly, and there was an excerpt of a poem from A Treasury of Irish Saints A Book of Poems. It was really intriguing and after reading that first volume I made it a mission to try and track down everything Irvine published. At first my dyslexia had me thinking it was John Irving, and I have read a few of his fiction books. But some quick searching put that idea to rest.  This author John Irvine lived from 1903-1965. This volume was originally published in1941. 

About the author on a site with information about Irish authors states:

“John Irvine was born in Belfast and published several collections of poems: A Voice in the Dark, 1932; Willow Leaves: Lyrics in the Manner of the Early Chinese Poets,1941; Lost Sanctuary and other poems among others. He edited The Flowering Branch: An Anthology of Irish Poetry Past and Present.”

Another online description of the author states:

“Irvine, born in Belfast, published about six collections of lyrics between 1932 and 1954, mostly from small presses in Belfast and Dublin.  He also edited an anthology of Irish poetry, The Flowering Branch.”

The introduction to this collection states:

“This is a brief survey of Irish poetry past and present, including a few translations from the Irish. It will be realized how difficult is the attempt to cover such a wide field in so small a volume.

As in ·all anthologies there are notable omissions, for this I make humble apology, and plead that the restrictions were many and the space at my disposal very limited. It is hoped, however, that this small volume may prove of value as an introduction to Irish poetry, for those not already familiar with its. delights.”

This volume is dedicated to his mother with these words:

“These flowers of my gathering are
offered as a small token for life·
long devotion and kindness.”

The poems and contributors in this volume are:

A Blessing on the Cows – Seumas O’Sullivan
A Sigh for Knockmany – William Carleton
A White Rose – John Boyle O’Reilly 
And Then No More - James Clarence Mangan 
At Mass – Robin Flower
Cashel of Munster – Edward Walsh
Clonmacnoise – T.W. Rolleston
Dark Rosaleem - James Clarence Mangan
Dirge of the Munster Forest, 1591 – Hon Emily Lawless
Do You Remember that Night? – George Petrie
Dreamy, Gloomy, Friendly Trees – Herbert Trench
Fathers and Sons – F.R. Higgins
Gone in the Wind - James Clarence Mangan
Hy-Brasail – Gerard Griffin
I See His Blood Upon the Rose – Joseph Mary Plunkett
It Is Not Beauty I Demand – George Darley
Lady Margaret’s Song – Edward Dowden
Lyric – John Hewitt
Mairi – John Irvine
Marie, My Girl – John Keegan Casey
My Hope My Love – Edward Walsh
Night Wind – A.E. George Russell
Non Dolet – Oliver St. J. Gogarty
O Dreamy, Gloomy, Friendly Trees – Herbert Trench
Ode – Arthur O’Shaughnessy
Pearl of the White Beast – George Petrie
Pulse of My Heart – Charlotte Brooke
Remembrance – Emily Bronte
Since Celia’s My Foe – Thomas Duffett
The Banks of Banna - Hon. George Ogle
The Blackbird of Derrycairn … - Austin Clarke
The Church of a Dream – Lionel Johnson
The Fair Warning – George Darley
The Farewell to My Harp – Thomas Moore
The Goat Paths – James Stephens
The Harbour – W.M. Letts
The Lake – Richard Rowley
The Lapful of Nuts – Sir Samuel Ferguson
The Little Black Rose – Aubrey De Vere 
The Little Waves of Breffny – Eva Gore-Booth
The Maid of Elfin-Mere – William Allingham
The Old Woman of the Roads – Padrick Colum
The Outlaw of Lough Lene – J.J. “Jeremiah Joseph” Callanan
The Priests and the Friars – Douglas Hyde
The River – Patrick MacDonogh
The Rock of Cashel – Sir Aubrey De Vere
The Silence of Unlaboured Fields – Joseph Campbell
The Stars Stand Up – Eleanor Hull
There is More Beauty – Sydney Bell
Thomas MacDonagh – Joseph Mary Plunkett
Virgin Gold – Sylvia Lynd
When You Are Old – W.B. Yeats

The table of contents is arranged based on the name of the authors. But the edition I had scanned was missing at least 2 pages from the contents. I manually created the list above.

This is the first volume I have read that was edited by John Irvine. I have read 13 volumes that were written by Irvine, and believe that there are another 5 volumes edited by Irvine, including the earliest written or edited by him published under the name J. Pennington Irvine.

A few sample poems from this volume are:

THE CHURCH OF A DREAM

Sadly the dead leaves rustle in the
     whistling wind,
Around the weather-worn, grey
     church, low down the vale:
The Saints in golden vesture shake
     before the gale;
The glorious windows shake, where
     still they dwell enshrined;
Old Saints by long dead, shrivelled
     hands, long since designed:
There still, although the world
     autumnal be, and pale,
Still in their golden vesture the old
     Saints prevail;
Alone with Christ, desolate else,
     left by mankind.
Only one ancient priest offers · the
     Sacrifice,
Murmuring holy Latin immemorial:
Swaying with tremulous hands the
     old · censer full of spice,
In grey, sweet incense _clouds; blue,
     sweet clouds mystical:
To him, in place of men, for he is
     old, suffice
Melancholy remembrances and
     vesperal.

     -Lionel Johnson

O DREAMY, GLOOMY,
FRIENDLY TREES.

O dreamy gloomy, friendly Trees,
     I came along your narrow track ·
To bring my gifts unto your knees
     And gifts did you give back;
For when I brought this heart that
          burns-
These thoughts that bitterly
          repine-
And laid them here among the
          ferns
And the hum of boughs divine,
Ye, vastest breathers of the air,
     Shook down with slow and
          mighty poise
Your coolness on the human care,
     Your wonder on its toys
Your greenness on the heart's
          despair,
     Your darkness on its noise.
     
- Herbert Trench 

MAIRI

Unquiet my heart
When she is near,
As the woods
In the young year.
Wilder my thoughts
Than birds that soar
In blue air
By the lake shore .
Would she but hear
The songs I made
By the brook
In the hazel glade.
Oh! heart be still
And let her pass
As grey mist
On the sweet grass.
And dream of her
With the dark eyes,
When stars come
And a wind cries.

- JOHN IRVINE.

I hope those three poems give you a feel for the collection of 52. This is an interesting collection. A few hit at the Faith of the Irish, and a few pay tribute to nature. A few go full on Song of Solomon, in their praise of the female, and her form. 

I did really enjoy this volume. The National Library of Ireland provided a scanned copy as the book is out of print and out of copyright. It is interesting to see what poems Irvine collected, and having read much of his lately, many could have been by his pen. I only recognize a few of the contributors. And as such was pleasantly surprised by many of the poems. We are not given bios of the contributors, nor even hen the pieces were first published. I would have appreciated those details. It is a volume I know I will return to again!

Note: This book is part of a series of reviews: 2026 Catholic Reading Plan

Books by John Irvine:

Wednesday, 25 February 2026

By Winding Roads - John Irvine and William Conor

By Winding Roads
John Irvine (1903-1965)
William Conor R.H.A., R.O.I. (Illustrator) 
H.R. Carter Publications, Ltd.
Belfast
1950


First I am thankful to the National Library of Ireland and their scanning service. Without wich I would have read but one volume from this excellent Irish poet. I appreciate that they will scan out of print and out of copyright works. Especially when I cannot find them almost anywhere else, like most of the works or Irvine. This volume will mark the thirteenth I have read by Irvine.

I stumbled upon this author. I was reading one of the Vision Books for young readers, Irish Saints by Robert T. Reilly, and there was an excerpt of a poem from A Treasury of Irish Saints A Book of Poems. It was really intriguing and after reading that first volume I made it a mission to try and track down everything Irvine published. At first my dyslexia had me thinking it was John Irving, and I have read a few of his fiction books. But some quick searching put that idea to rest.  This author John Irvine lived from 1903-1965. This volume was originally published in1941. 

About the author on a site with information about Irish authors states:

“John Irvine was born in Belfast and published several collections of poems: A Voice in the Dark, 1932; Willow Leaves: Lyrics in the Manner of the Early Chinese Poets,1941; Lost Sanctuary and other poems among others. He edited The Flowering Branch: An Anthology of Irish Poetry Past and Present.”

Another online description of the author states:

“Irvine, born in Belfast, published about six collections of lyrics between 1932 and 1954, mostly from small presses in Belfast and Dublin.  He also edited an anthology of Irish poetry, The Flowering Branch.”

This volume has no preamble quote, or preface likes some of the others. The poems in this volume are:

Over the Hills and Far Away 
Tullymore 
Little Boats 
Rivers 
Woodland Music 
Three Little Towns 
Townlands 
Searching for Fairies 
The Old Man from Kilkenny 
Roaming 
The Dancers 
Harvest 
Music 
The Fairy Hill 
In Old Donegal 
Irish Names 
The Fairy Tree 
In Ballysadare 
The Travellers 
The Ladies of Doon 
The Farm Horses
The Nine Glens 
If 
Working 
The Irish Counties 
The Crow 
In Summer Time 
Twilight 
Portglenone 
Topsy Turvy 
The Pl'Ovinces 
The Girls of Dingle 
The Fiddler 21
The Meaning of Names 
Blarney 
Elderberries 
Winds 
Ireland's Eye 
The Winter Night 
Ireland 
Goodbye 

Before that first poem named in the index we have:

“IRELAND

There is great beauty in the Irish names
     That fall like music on the listening ear
And breed a deep~ felt love that never wanes
     In hearts of exiles gone for many a year.
Some little county each shall claim his own
     And love it's every field and stream and
         hill,
Remembering the sweet days he has known
     And keep undimmed the love of Ireland
         still.”

Which is listed as page vii, the next page is listed as page one. Then at the end of the volume we have page 24 then page ix that has the poem ‘Goodbye’. I am not sure if these characteristics are a mishap in printing, or an artistic embellishment.
 
I enjoyed this thirteenth volume of poems that I have read from the pen of Irvine. The one bio above mentions 6 collections of poems but I have found a total of 17, including some special editions  listed below, and also 6 volumes Irvine edited of other poems including the earliest published as J. Pennington Irvine. A few sample poems from this volume are:

        RIVERS

        The Liffey flows through Dublin town
        And Cork is on the Lee,
        The Shannon winds through meadowlands
        Of Limerick to the sea.
        The Foyle through Derry winds its way,
        The Lagan through Belfast,
        And men in Tipperary watch
        The Suir go gently past.
        The Boyne by ancient Drogheda
        Flows tranquilly and free,
        And that is but a few of them,
        Enough for you and me.
        But there are many more besides,
        North, South, East and West,
        So get your map of Ireland out
        And try to find the rest.

WOODLAND MUSIC

The blackbird sings at morning
When dew is on the spray
The thrush in sunny weather
Gives all his notes away.
The merry lark upsoaring
Above the fields at noon,
But only nightingales will tell
Their secrets to the moon.

     THE TRAVELLERS

     Forty miles to Drogheda
     And fifty to Dundalk,
     Some will go on jaunting cars,
     And some will only talk,
     But we'll step out along the road
     And walk and walk and walk.
     Some will carry little lamps
     In case the shadows fall,
     And some will nearly fall asleep
     The lazy ones and small,
     And some will dream by candlelight
     And never go at all.

THE FARM HORSES

At evening when the work is done
They gt'aze contented, in the sun,
And wander· in the.pleasant heat
Whe.t·e fancy leads, and gtass is sweet.
Or toss their heads and gallop wild
Along the fields, like any child
Who runs and leaps and shouts and sings
For freedom, and the joy of things.
Or stand knee-deep in cooling streams!
think they too have got their dreams
Of sunny mornings, when the breeze
Is humming in the willow trees.
Of splendid days, and cloudless skies,
Far from the harness, and from flies,
In pastu1'es whel'e a beast may be
Free of his load eternally.

I hope those four poems give you a feel for the collection. The poems vary from one stanza to four; all poems are contained on single page, and many pages have 2 poems per page. Some pages have an image, a total of 4 black and white images are interspersed in the volume. And the cover is colour with a zoomed out version of it on the facing paged to the title page. Each of the pieces of artwork is on a left-hand side of 2 facing pages. The artwork appears to be woodcuts. At the back of this volume about the author we are informed:

“JOHN IRVINE, author of eight books of verse and a contributor to leading literary magazines in Britain and America. His work has appeared twice in "Best Poems of the Year" and has been broadcast frequently by the B.B.C. and by Radio Eireann.”

About the artist:

“It has been written of WILLIAM CONOR that he cannot draw the slightest figure without endowing it with life and energy, nor without filling it with a revealing power that makes the onlooker a sharer in the secrets 'of the life concealed behind the passing record.”

I really enjoyed this volume, once I finally received a copy. The National Library of Ireland has 4 copies of this in its collection. And all 4 appear to be kept offsite based on catalogue notes. It is much more playful and jovial than the other collections I have read from Irvine’s pen. I am thankful I read it; it is another volume of poetry from Irvine that I really connected with. If you can track down a copy to read I can easily recommend it. And it is a volume I know I will return to again!

By Winding Roads - John Irvine - Sample 1

By Winding Roads - John Irvine - Sample 2

By Winding Roads - John Irvine - Sample 3

Note: This book is part of a series of reviews: 2026 Catholic Reading Plan

Books by John Irvine: