Wednesday, 15 July 2026

The Practice of the Presence of God - Brother Lawrence with Dr. Matthew K. Minerd, Fr. Gregory Pine, Rebecca Dougherty - Ascension Catholic Classics

The Practice of the Presence of God 
Brother Lawrence
Fr. Gregory Pine
Rebecca Dougherty
Dr. Matthew K. Minerd (Editor)
Ascension Catholic Classics
ISBN 9798892761185
ISBN 9798892761192
eISBN 9798892761208

The Practice of the Presence of God - Brother Lawrence  with Dr. Matthew K. Minerd, Fr. Gregory Pine, Rebecca Dougherty - Ascension Catholic Classics

This volume is indeed a Catholic Classic and also a Christian Classic as It is popular with a number of other denominations and non-denominational ministries especially on University campuses. I read different editions of this book with The Navigators, Campus Crusade for Christ and Inter Varsity. On Goodreads there are over 1800 editions and over 800 in English. So one might ask why a new translation, and why another edition. In part each of the volumes in the Ascension Press Catholic Classics has been based on a new translation and with notes from those who translated or hosted the podcast for that specific volume. This is the 6th volume in the series in print, and 5 of the 6 have been done as seasons on the podcast. And in part many of the other editions are abridged. So this is a complete edition with a new translation and notes for each section of the book. When this season of the podcast was announced they highlighted that Pope Leo wrote an introduction to the volume. So there are 4 editions of this book from Ascension

Hard Cover no Introduction
eBook no Introduction
Hard Back with Introduction
Paper Back with Introduction

The editions with the introduction sold out rapidly. And the eBook has yet to be updated to include it. But if you do some quick searching you can find it online, as it was originally written for a Vatican edition of the book. The description of this volume states:

“As I have had occasion to say, together with the writings of Saint Augustine and other books, this is one of the texts that have most shaped my spiritual life and have formed me in what the path can be for knowing and loving the Lord.”
–Pope Leo XIV

Step into a life of continual conversation with God.
We hear the call to “pray without ceasing,” but it can seem impossible in the middle of our modern life with daily tasks, interactions, and responsibilities.
However, what if this feat is not unattainable?
In The Practice of the Presence of God, Brother Lawrence offers a simple, profound way forward: God is present to you at every moment, and you can learn to be present to him.

Brother Lawrence didn’t live a hidden life removed from the world. He worked in a monastery kitchen, carried out ordinary responsibilities, and experienced many of the same distractions and demands we all do. And yet, in the midst of it all, he discovered a way to live in constant friendship with God, where even the smallest tasks became an encounter with him.

At the heart of his teaching is this: God is always near, and holiness is found not in extraordinary practices, but in a steady, loving awareness of His presence in the ordinary.

The Ascension edition brings this beloved spiritual work to life with a clear, accessible, and Ascension exclusive translation by Matthew K. Minerd, as well as an insightful introduction and commentary by Fr. Gregory Pine, O.P. and Rebecca Dougherty. 

This edition also includes a foreword written by Pope Leo XIV, introducing readers to a book that has been personally impactful in his own relationship with God.

Inside this book, you’ll discover:
• Simple ways to “pray without ceasing” through the day
• How ordinary tasks can become real prayer
• Why holiness is found in fidelity to small, everyday moments
• How to develop an ongoing, interior conversation with God
• Why childlike trust in God matters more than complex or time consuming practices
• How peace grows when you learn to surrender and trust God in all things
• What it means to abide in God not just in prayer, but in every moment of life

This book is part of Ascension’s Catholic Classics series, created to make the Church’s most powerful spiritual works readable and approachable for modern Catholics. The Practice of the Presence of God will be read on Ascension’s Catholic Classics podcast with commentary from Fr. Gregory Pine, O.P. and Rebecca Dougherty.”

The chapters and sections in the book are:

About the Catholic Classics
Translator’s Remarks
Introduction to the Catholic Classics Edition by Fr. Gregory Pine, O.P.

PART I: CONVERSATIONS
     Commentary on Part I: Conversations by Rebecca Dougherty
     First Conversation
     Second Conversation
     Third Conversation
     Fourth Conversation

PART II: Letters
     Commentary on Part II: Letters by Fr. Gregory Pine, O.P.
     First Letter
     Second Letter
     Third Letter
     Fourth Letter
     Fifth Letter
     Sixth Letter
     Seventh Letter
     Eighth Letter
     Ninth Letter
     Tenth Letter
     Eleventh Letter
     Twelfth Letter
     Thirteenth Letter
     Fourteenth Letter
     Fifteenth Letter
     Sixteenth Letter

PART III: SPIRITUAL MAXIMS
     Commentary on Part III: Spiritual Maxims by Rebecca Dougherty
     Introduction to Spiritual Maxims
     Necessary Practices for Acquiring the Spiritual Life
     How We Must Adore God in Spirit and in Truth
     On the Union of the Soul with God
     On the Presence of God
     Means to Acquire the Presence of God
     The Benefits of the Presence of God

PART IV: THE LIFE OF BROTHER LAWRENCE
     Commentary on Part IV: The Life of Brother Lawrence by Fr. Gregory Pine, O.P.
     In Praise of Brother Lawrence (Eulogy) by Fr. Joseph de Beaufort
     The Ways of Brother Lawrence by Fr. Joseph de Beaufort

I highlighted numerous passages while reading this edition, some of them are:

“A few remarks are in order concerning the text itself. As with other volumes in the Classic Catholics series, this translation aims above all at readability for a broad Catholic audience.”

“A very holy and wise Benedictine I once knew, Fr. Sebastian Samay, repeatedly told his spiritual sons: God is simple, and so too is the spiritual life. He was a highly educated man, fluent in seven languages, yet his spirituality was rooted in the simple “bread and butter” of monastic life: lectio divina, the Liturgy of the Hours, and the sacraments. In his daily labors, I am convinced he lived the presence of God spoken of by Brother Lawrence.”

“As human beings, each of us is made for communion. We are made to be with God and with others. Typically, we cultivate this communion through conversation. Within our various communities, we inquire together and desire together as we work toward our common aspirations. If we want to mature into a fuller share of human happiness, we have to talk it through—and not just once or twice, but our whole life long.”

“In the more than three hundred years since their appearance, the works collected in this volume have gone through many editions. Most of the historical and critical notes from these introductions are taken from the definitive English text, that of the Institute of Carmelite Studies published in 1991. The present volume from Ascension represents an effort to make this beautiful book more widely known for those who might not otherwise encounter it.”

“For the past three hundred years, we have been reading about his faith and prayerfully reflecting on how we may approach the Lord (or, rather, allow the Lord to approach us) as Brother Lawrence did.”

“How freeing and how empowering to know that, no matter our state in life and no matter our circumstances, we can carry out the work before us. Whatever that work is, we can do it with love and, in the process, be sanctified and saved. The great work of becoming a saint is at hand for every single one of us.”

“Each of us must set ourselves in the presence of God and converse with Him continually. Indeed, how shameful it is to depart from this conversation with the Almighty to then think about trifling affairs.”

“If we are to abandon ourselves to God as fully as He desires us to, we must keep attentive watch over all that stirs within our soul, where spiritual things are very often mixed and mingled with the coarsest of affairs. However, God gives the light needed for this to those who truly desire to belong to Him. If you truly intend to abandon yourself to Him, you call on me when you wish.”

“A little bit of effort is necessary when we seek to begin the habit of conversing continually with God and of referring all of our deeds to Him. But, it is not long before we feel ourselves stirred by His love without any difficulty.”

“I had a similar experience in my kitchen duties. This kind of work was my greatest natural aversion. But, having grown accustomed to doing everything there for the love of God, and in every circumstance asking Him for grace to carry out my work, I found my fifteen years of work in the kitchen to be very easy.”

“We must draw a great distinction between the actions of our understanding and those of our will. The former are of little value, and the latter are everything. The only thing that we need to do is love and take joy in God.”

“This same experience taught me that, when I have some outward business to attend to, I need not think about it in advance. Instead, at the moment when I need to act, I find in God, as though looking into a clear mirror, what I must do in the present moment. For some time, this has been my way of acting, free from cares before the deeds that face me. But, before I had experienced God’s prompt help in my affairs, I had relied on my own foresight.”

“When you begin, you must be faithful in your deeds and self-renunciations. But, as time passes, you will experience nothing but unspeakable consolations. In difficulties, you need only to have recourse to Jesus Christ and ask Him for His grace. With it, all things will become easy.”

“In each deed, God never fails to present us with His grace—I have sensibly perceived this. I have only failed when I allow myself to be distracted from God’s presence or forget to ask Him for His aid.”

“My prayer is nothing but the presence of God, and my soul is asleep to everything but love. However, even outside the time of prayer, I experience scarcely any difference, for I am always near to God, praising and blessing Him with all my strength.”

“We should always set before our mind this end: to be, even in this life, the most perfect adorers of God that we can possibly be, just as we hope to be for all eternity.”

“Certainly, we are called to get beyond our selfishness and offer ourselves for the love of God. We may even be called upon to make big sacrifices for his name’s sake. But God himself wants us to enjoy him both now and in eternity.”

“Certainly, faith and hope may be called imperfect in that they appeal to God for something. Faith looks for revelation, and hope looks for beatitude. But neither faith nor hope appeals for selfish reasons. Rather, God has designed us to inquire and has prompted us to ask.”

“Let us return to ourselves. Let us break down this barrier. Let us make way for grace. Let us make up for lost time. Perhaps we have only a few days to live, and death is close on our heels. Let us beware, for we die but once.”

“I know that to practice this presence, the heart must be emptied of all other things, for God desires to possess it alone. And if it is not emptied of all that is not Himself, He cannot possess it alone, nor act within it, nor do in it what He wills.”

“I were a preacher, I would preach nothing but the practice of the presence of God. And if I were a spiritual director, I would recommend it to everyone. This is how necessary—and even how easy—I believe it to be.”

“To be with God, we do not need to always be in church. We can make our heart an oratory and there withdraw from time to time to converse with Him gently, humbly, and lovingly. All are able to have these familiar conversations with God, some more, others less—He knows what we are able to do.”

“Saints do not spring up overnight.”

“My dear Mother, let us often recall that our only business in this life is to please God.”

“And how can we think of Him often, except by forming a holy habit of doing so? You will tell me that I always say the same thing. It is true, I know no method more fitting, nor easier, than this one. And, given that I practice no other, I recommend it to everyone.”

“Remember, I beseech you, what I have told you: think often upon God, by day, by night, amid all your occupations, during your [spiritual] exercises, and even during your recreation.”

“Here, in Part III, Brother Lawrence gives his readers concrete ways to come into union with God, to grow more established and comfortable in that union, and to remain in that union for all eternity.”

“The holiest, most common, and most necessary practice in the spiritual life is to practice being in the presence of God—that is, to take delight in His divine company, accustoming oneself to it, speaking humbly and conversing lovingly with Him at all times, at every moment, without rule or measure, especially in times of temptation, suffering, dryness, distaste, and even in moments of infidelity and sin.”

“However, prudence, which is the mother of virtues, should serve as your rule. Yet, I say that it is a common error among spiritual persons not to withdraw from external things from time to time, to adore God within themselves and to enjoy in peace, for a few brief moments, His divine presence.”

“The presence of God is the application of our mind to God, or a recollection of God as present. It can be performed either by the imagination or by the understanding.”

“The lives of the saints can be dangerous devotional material. Ideally, in learning about the spiritual heights to which they attained, we are inspired to follow in their footsteps.”

“In the pages that follow—a collection of two works by Joseph de Beaufort discussing different aspects of Brother Lawrence’s life—the focus is not at all on extraordinary phenomena. Rather, it is on the ordinary building blocks of the Christian conversion, namely, grace and virtue. Joseph de Beaufort and Brother Lawrence have decided to direct our attention to what matters most.”

“By meditating on the promises of his baptism, the disorders of his youth, the mysteries of our Christian faith, and above all upon the Passion of Jesus Christ—which always moved him profoundly when he thought upon it—he was transformed into a new man, and the humility of the Cross appeared to him more beautiful than all worldly glory.”

“At the end of the task, I examined how I had performed it. If I found good in it, I thanked God. If I noticed faults, I asked for His pardon. And without becoming discouraged, I corrected my mind and began again to dwell with God as though I had never left Him.”

“He was not one of those people who are completely inflexible and regard holiness as being incompatible with courteous manners. He put on no airs, was approachable with everyone, and behaved kindly with his brethren and friends, without seeking in any way to set himself apart from them.”

““I am doing what I shall do for all eternity. I bless God, I praise God, I adore God, and I love Him with all my heart. This is our whole task, my brothers—to adore God and to love Him, without concerning ourselves with anything else.””

“For the same reason, in the little reading that he did do, he preferred the holy Gospels above all other books, because he there found the nourishment for faith more simply and more purely in the very words of Jesus Christ.” 

I hope those quotes give you a feel for this edition of this volume. I currently own 3 different eBook editions of this book, and have owned a few others on print. And I believe this will be the only one I read going forward. It is an excellent edition. And listening to the podcast takes it to a whole new level. There was a period in university about 30 years ago where I read an edition of this book every year. I could see starting that up again with this edition. Though I would love to see ascension release an eBook with the Pope Leo Introduction.

As stated at the beginning this volume is truly a classic. On good reads there are over 600 entries for it, and this one is linked to over 1000 editions. It has at the time of writing this review 61,123 ratings, and 3271 reviews and a 4.33 star average rating.  The commentary by Father Gregory Pine and Rebecca Dougherty take this book to a new level. It was like experiencing it all over for the first time. 

I am so thankful I picked up this volume and can easily recommend this specific edition. When I was younger I used to keep extra copies of this book as lending copies or to give away. Once it is available I will be picking up some for that purpose.

An excellent edition of a classic, the one I will be using and recommending going forward. 

Note: This book is part of a series of reviews: 2026 Catholic Reading Plan

The Practice of the Presence of God - Brother Lawrence  with Dr. Matthew K. Minerd, Fr. Gregory Pine, Rebecca Dougherty - Ascension Catholic Classics  Paperback Edition

Books in the Ascension Christian Classics:
Saints of the First Monasteries
The Imitation of Christ by Thomas à Kempis

Books by and about Brother Lawrence:
The Practice of the Presence of God - Whitaker House Edition

Books by Father Gregory Pine O.P.:
Your Eucharistic Identity: A Sacramental Guide to the Fullness of Life
Training the Tongue and Growing Beyond Sins of Speech
Prudence: Choose Confidently, Live Boldly
Justice: Judge Rightly, Give Freely
Marian Consecration with Aquinas: A Nine Day Path for Growing Closer to the Mother of God


Ascension Catholic Classics

Tuesday, 14 July 2026

The Croaking Raven - Guy Hale - Shakespeare Murders Book 1

The Croaking Raven
Shakespeare Murders Book 1
ISBN 9781738444809
eISBN 9781738444816
ASIN B0DVCCS231

The Croaking Raven - Guy Hale - Shakespeare Murders Book 1

I picked up this volume for a few reasons. First over the last several years I have become a big fan of mystery books coming out of England, Ireland and Scotland. I have read most volumes from the likes of J.D. Kirk, Alex Smith, K.T. Galloway, and J.E. Mayhew and am always willing to give another author a try. Second my kids and I are huge fans of Shakespeare and we attend the Stratford Festival in Ontario often and typically go to all the Bards plays each year. Third I have been reading some other Shakespeare based fiction lately like Ted Neill’s Post Apocalyptic Space Shakespeare Series and the Shakespearean Shorts from Pettyfeather Publishing. And finally it was highlighted in a Kindle blast of books on sale I might be interested in. About the author on his site we are informed:

“Guy Hale was born in Worcestershire, England. His first job was as a Professional Golfer. He also played Rugby and raced motorcycles until his mid-twenties. When this failed to kill him he started writing plays, mostly two handers which he performed in pubs and assorted venues with his mate, Andy.”

This was such a good story I am planning on reading everything in print from Guy Hale. My friends call me a ‘completionist’ in that when I find an author I love I try and read everything they have in print. But I am getting ahead of myself, back to the volume at hand.

The description of this volume is:

“The Croaking Raven draws DC Toby Marlowe and DS Fred Williams into the dark world of Hamlet, not on the stage but on the streets of Stratford-upon-Avon. Oliver Lawrence has returned and he’s looking for revenge.

‘Dexter meets Shakespeare in this dark and twisted tale of revenge.’ Christie J. Newport”

I really was not sure what to expect when I began, and for the first several chapters was uncertain. Then once I was hooked I could just not put the book down, I read way to late on a work night and when I awoke at 3am I just picked it up and finished the final few chapters, I could not even wait till daybreak. My sleep was much like “It faded on the crowing of the cock.”. This story is a 1970s Stratford-upon-Avon police procedural

As the bard penned “All the world's a stage” and in this volume all of Stratford and environs becomes a killing ground. In this act we have one main entrance and several exits, 4 in body bags. And as indicated it is just the first act. Oliver Lawrence has returned to Stratford after a 15 years absence, he is not there to grace the stage, at least not yet, but he is there for revenge. And his revenge will not be an amuse-bouche, in this offering alone it is a four course meal, and by the end of the series it might be a full banquet. But these events were not originally the idea of Oliver, in fact he received a letter from Felix Richards, indicating that his downfall hand been planned, plotted and executed, and his father’s year’s earlier leading to his death was perpetrated by the same people. We are informed at the beginning of the volume in a chapter titled ‘Return of the Prince’, that:

“Oliver Lawrence lay on his bed. In the distance he could hear the sounds of Casablanca. The call to midday prayer had begun and the voice of the Muezzin floated from the top of a nearby minaret, borne on the warm winds of the Sahara as they headed for the north west coast of Morocco.

Oliver was a long way from home. Fifteen long years away. Forced from a great future by a web of jealousy and lies, a bitter crop that had been planted by those he trusted most. They had nearly destroyed him and he had run. Run until he could not hear their lies or their taunting. Run until he had found a place to shelter, recover, and plan his revenge.”

And soon after his return the plan is underway. Oliver soon discovers that not only does he have revenge on his heart and mind, he is rather good at it and fate seems to be on his side. He also discovers he rather enjoys it. He started off with a plan and list guided by Felix but soon he realized this is a much bigger endeavour and the list needs to grow. And just maybe grow and grow. 

The story begins on DC Toby Marlowe’s first day assigned to the Stratford force, and though a fan of stage and screen he is a decent officer. He is partnered with DS Fred Williams who is anything but orthodox. He really reminds me of Bob Hood from the works of J.D. Kirk. Marlow is brash, ignores the rules, and crosses the line, but he has an excellent clear rate, and conviction rate, and he really does care about the job. And he has some surprising knowledge and catches us from time to time. 

The characters are excellent, the plot surprising and fresh. And the book leaves you desperate for the next instalment! A great read I can easily recommend. And I look forward to the other three in the series.

Guy Hale The Shakespeare Murders Series

Books by Guy Hale
Comeback Trail Series:
1. Killing Me Softly (2022)
2. Blood on the Tracks (2022)
3. All The World's A Stage (2023)

Shakespeare Murders Series:
2. All Our Yesterdays (2025)
3. Put Out the Light (2025)
4. Sleep No More (2025)

Other Posts Related to Shakespeare:
Books by Ted Neill:
Post Apocalyptic Space Shakespeare Series:
Twelfth Night
As You Like It
A Mid Summers’s Night Dream 
Much Ado About Nothing 

Shakespearean Shorts from Pettyfeather Publishing:

Guy Hale's Shakespeare Murders Series:
2. All Our Yesterdays 
3. Put Out the Light 
4. Sleep No More 

Monday, 13 July 2026

Coffins - Rodman Philbrick

Coffins
ISBN  9780312872731
eISBN 9781504001137
ASIN B00QN3533W

Coffins - Rodman Philbrick

I was recently having a discussion with a young man in his early 20’s and asked about his favourite book, because that is what bibliophiles do. He immediately said this Freak the Mighty by Philbrick. This is the fourth volume I have read by the author in as many weeks. And it was something completely different!

The description of this volume state:

“In rural Maine, a stop on the Underground Railroad is menaced by a supernatural force in this terrifying novel of pre–Civil War horror.

Davis Bentwood has nearly finished medical school when he meets an abolitionist dwarf walking across Harvard Yard. Jeb Coffin is a nonpracticing doctor, a devoted student of transcendentalism whose home life has been shaken by tragedy. The two men become friends, and Coffin invites Bentwood to rural Maine to save his family from itself. The Coffins are noted abolitionists, their home a stop on the Underground Railroad, and lately they have been menaced by a supernatural terror. The tragedies are countless: two brothers killed, a father driven mad, and a baby frozen solid in its crib.
 
At first Bentwood cannot bring himself to acknowledge the impossible horrors that have cursed this family. But he will not survive his sojourn in Maine unless he can open his mind to the possibility that something evil is waiting in the dark.”

The description of an earlier print edition was:

“Physician Davis Bentwood, making a lengthy housecall at the Coffin family mansion on the coast of Maine, finds the newborn grandson of Captain Cash Coffin, stiff and cold as a block of ice, in a cradle not ten feet from a roaring fire. Young Davis can find no medical explanation for the baby's death.

After a mysterious accident at the family shipyard caused the simultaneous death of his twin sons, Cash Coffin locked himself in study, and threatened to shoot anyone who approached. Cash's youngest son, the dwarf Jebediah, has asked his old friend Davis to try to help the old man.

Another Coffin son, an experienced ship's master, dies at sea in a freak accident that defies a natural explanation. And on a moonless night, Davis Bentwood is awakened by an eerie light that leads him to the Coffin family's darkest secret.

Cash Coffin traded in slaves.

Davis Bentwood's blood-chilling discovery holds the key to the family's destruction. Can the ancient evil being visited upon the Coffins be stopped?”

Philbrick writes midgrade literature, young adult books and adult fiction. And some are even published under other pen names. I just randomly picked this as the next volume to read. It was a tossup between this and Strange Invaders. I have friends who call me a ‘completionist’ in that I find an author I really like and try to read everything they have in print, or have published. 

I will admit it took a while to get into this one. I had not read the description or any reviews I just dove in. I struggled at the beginning and had a hard time seeing where the story was going. But then figured it out and raced through to the end. It is definitely not for middle grade readers and I would not even recommend it for tweens or teens. It did however remind me several books and series I have read over the years some of those are:

What's Bred in the Bone - Robertson Davies
City of the Dead - The Haunting of Derek Stone 1 - Tony Abbott
A Prayer for Owen Meany - John Irving
The Tin Drum – Gunter Grass
This Thing of Darkness - Fiorella De Maria and K.V. Turley

And a few others. As mentioned I struggled and it almost ended up on my ‘did not finish’ pile. However I am very grateful I stuck it out and once I was hooked I could hardly put the book down.

This was a dark tale, a tale of slavery, regret, family secrets and a curse. It is a story that will stay with readers, especially American readers for much of it is their history. It is also the story of friendship. And it is about a young man caught up in something well beyond his experience and understanding. Written as an actual historical account it is a weighty work. But one I can recommend.

Books by Rodman Philbrick:
Max the Mighty Series:
 
House on Cherry Street Series: (with Lynn Harnett)
1. The Haunting (1995)
2. The Horror (1995)
3. The Final Nightmare (1995)
 
Werewolf Chronicles Series: (with Lynn Harnett)
1. Night Creature (1996)
2. Children of the Wolf (1996)
3. The Wereing (1996)
 
Visitors Series: (with Lynn Harnett)
1. Strange Invaders (1997)
2. Things (1997)
3. Brain Stealers (1997)
 
Wild Series:
1. Wildfire (2019)
2. Wild River (2021)
3. Wild Wave (2024)
4. Wild Blizzard (2026)
 
Other Books:
Shooting Star (1982)
The Black Moon (1989) 
Brothers and Sinners (1993)
The Fire Pony (1996)
Abduction (1998) (with Lynn Harnett)
The Mighty (1998)
Dark Matter (2000)
Rem World (2000)
The Journal of Douglas Allen Deeds (2001)
Coffins (2002)
The Young Man and the Sea (2004)
Lobster Boy (2005)
The Mostly True Adventures of Homer P. Figg (2009)
Listening To Kids In America (2011)
Zane and the Hurricane (2014)
The Big Dark (2016)
Who Killed Darius Drake? (2017)
We Own the Sky (2022)

Written as William R Dantz:
Pulse (1989) (as by William R Dantz)
The Seventh Sleeper (1991) (as by William R Dantz)
Hunger (1993) (as by William R Dantz)
Nine Levels Down (1995) (as by William R Dantz)

Written as by W R Philbrick:
The Big Chip (1990) (as by W R Philbrick)

J.D. Hawkins Series:
1. Shadow Kills (1985)
2. Ice for the Eskimo (1986)
3. Paint It Black (1989)
4. Walk on the Water (1991)
 
T.D. Stash Series:
1. The Neon Flamingo (1987)
2. The Crystal Blue Persuasion (1988)
3. Tough Enough (1989)

Written as by Chris Jordan:
Randall Shane Series:
1. Taken (2006)
2. Trapped (2007)
  aka Lost
3. Torn (2009)
4. Measure of Darkness (2011)

Coffins - Rodman Philbrick

Coffins - Rodman Philbrick  - Original Cover


Sunday, 12 July 2026

Othello - Stratford 2026

Othello
2026
Director Haysam Kadri
Set Designer Brian Dudkiewicz
Costume Designer Gillian Gallow
Lighting Designer Siobhán Sleath
Composer and Sound Designer Thomas Ryder Payne
Fight and Intimacy Director Anita Nittoly
Executive Producer David Auster
Creative Planning Director Jason Miller
Casting Director Ari Weinberg

Othello - Stratford 2026

In the weeks leading up to seeing this production, I reread The Pelican Classic edition of the play; and also Ted Neill’s Post Apocalyptic Space Shakespeare Othello. Often the kids and I will watch a previous production either filmed from stage or movie, but time did not work for that. This is one of my favourites of the Bards works, and one I am always interested in seeing.  My youngest 15 went in fairly blind. My Son had read most of it, and I have read it a few times over the last 40 years, and seen a few productions over the years. This was as one of the 5 plays we picked over the season because my son 18 and daughter 15 both really wanted to see it, and it was the third and final of Shakespear's plays we are seeing this season. 

Over the last few years my children and I have been attending Stratford and reviewing all the plays we attend. We have a great appreciation for the bard, and typically attend all plays of his works, and usually a few others as well. Prior to attending my son and I try and read a copy of the play, usually the Oxford School Shakespeare or the Pelican Classic Editions. I believe the festival has put on A Othello 9 times, as of the 2026 season, the first being in 1959. It is the directorial debut of Haysam Kadri at the festival. This season is Antoni Cimolino’s  final as artistic director and he selected plays based on his favourites from his tenure at the festival. 

The summary of the play on the festival site states:

Love. Lies. And the ultimate betrayal. 

A beautiful marriage and a brilliant military career are destroyed by the devious manipulations of a vindictive comrade. Heroism and dishonour walk hand in hand in this gripping tale of jealousy, regret and revenge.”

The synopsis in the house program states:

“Othello, a respected general in Venice, secretly marries the noblewoman Desdemona, defying societal expectations and drawing scrutiny. Soon after, he is deployed to Cyprus, accompanied by his loyal lieutenant Cassio and the seemingly devoted Iago. Beneath his façade of service, however, Iago conceals deep resentment and begins plotting revenge to destroy Othello’s happiness and professional standing. By planting false evidence and preying on Othello’s insecurities, Iago convinces him that Desdemona has been unfaithful with Cassio. As jealousy corrodes Othello’s trust, alliances fracture and tensions escalate, plunging everyone into emotional turmoil. With deception tightening its grip and reason slipping away, the stage is set for a devastating reckoning that neither love nor honour will survive.”

When we go and see the play in person we have an almost an hour drive home, and usually spend the time discussing the performance. I could hardly get a word in as they both loved the production so much. One of the things we talk about is our favourite performers. It was a very heated discussion this time. We each pick our top 5. Our picks are:

My top ranking for the performers would be:
Krystin Pellerin as Desdemona
André Sills as Othello
Jordin Hall as Cassio
Jessica B. Hill as Emilia
Evan Buliung as Iago

My son's (18) top picks are:
André Sills as Othello
Evan Buliung as Iago
Krystin Pellerin as Desdemona
Jordin Hall as Cassio
Chick Reid - Brabantia

My daughters (15) were:
Jessica B. Hill as Emilia
Krystin Pellerin as Desdemona
André Sills as Othello
Evan Buliung as Iago
Jordin Hall - Cassio

The full cast is:

Othello - André Sills
Desdemona - Krystin Pellerin
Iago - Evan Buliung
Cassio - Jordin Hall
Emilia - Jessica B. Hill
Roderigo - Rylan Wilkie
Bianca - Vivien Endicott-Douglas
Brabantia - Chick Reid
Gratiano - Mike Nadajewski
Duke Of Venice - Michael Spencer-Davis
Montano - Cyrus Lane
Lodovica - Irene Poole

Attendants, Citizens, Officers, Senators - Sarah Dodd, Thomas Duplessie, Steven Hao, Michael Louis Johnson, Josh Johnston, Tarique Lewis, Angel Lo, Devin Mackinnon, Mike Nadajewski, Anthony Palermo

Understudies
Emilia, Lodovica, Second Senator - Sarah Dodd
Roderigo, Gratiano - Thomas Duplessie
Desdemona – Vivien Endicott-Douglas
Othello - Jordin Hall
Messenger - Michael Louis Johnson
Montano, First Senator - Josh Johnston
Iago - Cyrus Lane
Cassio - Tarique Lewis
Bianca - Angel Lo
Duke Of Venice - Devin Mackinnon
Brabantia - Irene Poole

André Sills had a standout performance it what he is calling his double ‘O’ season, playing both Othello and Oberon. This was another great production. My son and I absolutely loved it. My daughter appreciated it more so the second half than the first. She was so frustrated with Iago she even flipped him off when he appeared on stage at one point. She also loved every time that Mike Nadajewski appeared on stage because she so loved his portrayal of Puck in A Midsummer Night’s Dream. I could not help but wonder about a swap and having André Sills as Iago and either Jordin Hall or Jamie Mac as Othello. I would love to see Sills in this villainous role or even as Richard III.

My kids and I often keep an eye out for the filming taking place at Stratford, and would absolutely go back to see this again for the filming. I am incredibly thankful my children have discovered a love for theatre, and for the amazing productions at Stratford. As one of my favourite plays by Shakespeare, this is now one of my favourite staging’s of it. And my kids really appreciated it! It is an excellent production. I highly recommend it, if you have the chance to go this season, and if not maybe on Stratford@Home or other streaming in the future!

Note: Photos by David Hou/Stratford Festival or our own.

Othello - Stratford 2026  Image 1

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Reviews of Other Stratford Productions:
The Tempest - Stratford Festival 2019 
Richard III – 2022
Hamlet – 2022
The Miser – 2022
King Lear – 2023
Grand Magic – 2023
Cymbeline – 2024
Twelfth Night – 2024
The Tempest - 2026  
Something Rotten – 2026 
Othello - 2026 
Saturday, Sunday, Monday - 2026 

Reviews of Shakespeare Movies:
Cymbeline – 2014

Related Posts:

Books by Ted Neill:
Post Apocalyptic Space Shakespeare Series:
Twelfth Night
As You Like It
A Mid Summers’s Night Dream

Shakespearean Shorts from Pettyfeather Publishing:

Guy Hale's Shakespeare Murders Series:
2. All Our Yesterdays 
3. Put Out the Light 
4. Sleep No More